“A very intense and committed sound creator.”
–Rhein Zeitung

“A conductor comfortable in a wide range of styles.”
–Rhein Zeitung

“How attentively and calmly the conductor Bousso let the sound develop into a marvelous, beautifully round and warm quality sonority in a wide range of dynamics, including very soft and delicate ones.”
–Rhein Zeitung

“Joseph Bousso conducts with great precision, passion and well-honed accompaniment skills.”
–Rhein Zeitung

“A wonderful conductor with clear and charismatic leadership qualities. An enjoyable evening full of spirit.”
–Passauer Neue Presse

“Creating atmosphere so as to enter new musical worlds, the concert began with Gyorgy Ligeti’s “Lontano.” The Magdeburg Philharmonic created fascinating, deeply emotional, atmospheric and imaginary sonorities under the direction of… Joseph Bousso.“
–Magdeburger Volksstimme

“Guest Conductor Bousso and the Magdeburg Philharmonic orchestra drew energetic and long-arching, searing phrases in Leonard Bernstein’s Symphony No. 2: “The Age of Anxiety,” throughout the entire piece. In order to give the Burlesque-like Jazz figures [in “The Masque”] and the grand final hymn, exactly the right timing they needed, Bousso let the closing unfold and build up to a beautiful climax.“
–Magdeburger Volksstimme

“Indeed the conducting style and approach of Joseph Bousso can be characterized by beautifully balanced sonorities and atmospheric precision…a captivating evening and a complete work of art.“
–Rhein Zeitung

“Equally important and worthy of mention are the choices of musical pieces for the ballet evening, which were beautifully, resonantly, expressively performed as well as with a great deal of nuance by the Rhenish Philharmonic Orchestra under Joseph Bousso’s leadership. A thrilling and touching evening.”
–Rhein Zeitung

“Splendid and full of the joy and love of music-making. The Rhenish Philharmonic Orchestra created a sensually beautiful sound tapestry under the charismatic leadership of Joseph Bousso, whose dedicated attention to detail was most apparent. This production [of “Samson et Dalila” by Camille Saint-Saëns] is his best work at the opera house [of Koblenz].”
–Rhein Zeitung

“Sprited, lively, dance-like.”
–Blick Aktuell

“A musical pleasure of special quality. A beautiful, exhilarating evening.”
–Blick Aktuell